Last week, Ping Chong + Company said “farewell but not goodbye” to our artistic intern Daniela Rivera as she graduated from NYU’s Tisch School of the Arts. Since January 2015, Daniela has been involved in many facets of PC+C’s work, including observing our creative process for Undesirable Elements and conducting research for a new interdisciplinary project in development. …Thank you, Daniela!

Daniela Rivera w cupcakes
Celebrating Daniela with cupcakes on the last day of her internship at the PC+C office.

How did you come to engage with Ping Chong + Company?

I learned about PC+C from various courses on applied theatre and political theatre at Tisch. PC+C struck me as a company that was exploring the crossover of theatre for entertainment and theatre for social change. I took the opportunity my last semester to apply to intern for PC+C, hoping to gain some insight into how they devise their pieces; how they interview participants and then use their words to tell stories through a theatrical lens; and how meticulous and respectful artists have to be, especially when sharing other people’s words and stories.

What was a meaningful moment or take-away from your experience with PC+C?

One of my most meaningful experiences I had was being given the opportunity to be in the room while Ping Chong and Sara Zatz interviewed some of the participants for “Beyond Sacred: Voices of Muslim Identity,” part of the Undesirable Elements series. It was intriguing to watch and listen to how and what they would ask of the participants. They knew how and when to push a little further; what information would relate to the other stories; where the nuggets of gold were; and finally, how to carve out an accessible, meaningful, and universal story from personal interviews.

How does your experience with PC+C influence what you’re doing today?

Ever since I started learning about political theatre and theatre for social change, I was immediately drawn into the practice and had more questions than answers about how an artist begins to produce work in that medium. Who has the right and authority to tell other people’s stories, and how do you share someone’s words honestly and with respect while still having artistic and creative liberties? While interning at PC+C, I’ve had an opportunity to contemplate these questions–and, to me, that freedom seems to come from form over content. To me, what makes the work done at PC+C so powerful is that they have developed a form or container for all of their oral history projects that can hold the weight and strength of the stories that are shared with them. I’m still grappling with these questions with my own work, but the work that is done by PC+C has given me insight into a way to begin.

Daniela Rivera headshot
Daniela Rivera

 

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